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Friday March 16,
2007
Adding Quinacridone Magenta, wet on dry to the petals of the flower.
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Friday March 16,
2007
Adding more Quinacridone Magenta, wet on dry to the "parts" of the flower. |
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Friday March 16,
2007
Adding a light amount of Transparent Yellow, wet on dry to the "parts" of the flower. |
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Friday March 16,
2007
Adding a light amount of Hooker's Green. Be careful, add lightly as this color is "staining". Look carefully, we added a glaze of Hooker's green over some of the Magenta petals. |
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Friday March 16,
2007
Follow along and add a light amount of Hooker's Green as indicated. Be careful, add lightly as this color is "staining". |
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Friday March 16,
2007
Follow along and add a light amount of Hooker's Green as indicated. Be careful, add lightly as this color is "staining". |
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Friday March 16,
2007
Follow along and add a light amount of Quinacridone Magenta to the petals as shown. This color combination makes a subtle gray tone. |
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Friday March 16,
2007
We are now going to add Hooker's green to the leaf behind the flower. We are adding wet on dry, and then using a damp, clean brush we are softening the edges. |
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April 6, 2007 Keep adding light washes of Hooker's Green as indicated on this painting. We started working on the leaves at the upper right. |
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April 6, 2007 Keep adding light washes of Hooker's Green as indicated on this painting. We started working on the leaf above the "center" leaf. |
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April 6, 2007 Keep adding light washes of Hooker's Green as indicated on this painting. We went back to the leaf at the right, and started building up some shape. Work wet, and soften with a damp brush. |
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April 6, 2007 Keep adding light washes of Hooker's Green as indicated on this painting. Go to the Center leaf and work wet, and soften with a damp brush. Concentrate on getting the shapes filled in, not the detail. This is just the foundation of the painting. |
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April 6, 2007
Keep adding light
washes of Hooker's Green as indicated on this painting. Go to the
bottom left leaf and work wet, and soften with a damp brush.
Concentrate on getting the shapes filled in, not the detail. This is
just the foundation of the painting. Next
week we can start building color and all the wonderful details. |
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April 13, 2007 Keep adding Thalo Blue as indicated on the image. |
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April 13, 2007 Keep adding Thalo Blue as indicated on the image. |
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April 13, 2007 Keep adding Thalo Blue as indicated on the image. |
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April 13, 2007 Keep adding Thalo Blue as indicated on the image.
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April 13, 2007 Keep adding Thalo Blue as indicated on the image. |
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April 13, 2007 Keep adding Thalo Blue as indicated on the image. |
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April 13, 2007 Keep adding Thalo Blue as indicated on the image. |
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April 13, 2007 Keep adding Thalo Blue as indicated on the image. |
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May 4, 2007 We are now adding Quinacridone Magenta. Keep adding Quin Magenta as indicated on the image. |
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May 4, 2007 Keep adding Quin Magenta as indicated on the image. |
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May 4, 2007 Keep adding Quin Magenta as indicated on the image. |
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May 4, 2007 Keep adding Quin Magenta as indicated on the image. |
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May 4, 2007 Keep adding Quin Magenta as indicated on the image. |
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May 4, 2007 Keep adding Quin Magenta as indicated on the image. |
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May 11, 2007 We are now adding Hookers Green and Thalo Blue as needed. |
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May 11, 2007 We are now adding Hookers Green and Thalo Blue as needed. |
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May 11, 2007 We are now adding Hookers Green and Thalo Blue as needed. |
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May 11, 2007 We are now adding Hookers Green and Thalo Blue as needed. |
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May 18, 2007 We are now adding Transparent Yellow to some leaves and the center of the water lily flower. |
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May 18, 2007 We are now adding Quinacridone Magenta to deepen the darks and to brighten up the reds, all at the same time. |
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May 18, 2007 Continue to deepen your values, whether you're using yellow, red, green or thalo blue. |
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May 18, 2007 Continue to deepen your values, whether you're using yellow, red, green or thalo blue. |
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May 18, 2007 We added a wash over the dark background to even out some of the spottiness (is that a word?) of the background. |